
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
Explore NowA film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.
Explore NowWomen are sexually insulted and threatened by men every day. Experts around the world are registering an anti-feminist backlash that seems to be on the verge of becoming socially acceptable. Particularly affected: women in publicly visible positions – such as politicians, actresses or entrepreneurs. Who is behind the attacks and what are the motives?
Explore NowThe friendship between Jorge Amado, Dorival Caymmi, and Carybé, artists who were largely responsible for creating an image of the culture of Bahia that persists to this day, and who believed that the strength of their work lay in documenting what they saw on the streets.
Explore NowBERTHA LUTZ: WOMEN AND THE U.N. CHARTER reveals the important and unknown role of a Brazilian biologist and feminist in ensuring that gender issues were addressed at the basis of the United Nations.
Explore NowA state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.
Explore NowA major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.
Explore NowArguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Explore NowOne year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.
Explore NowDocumentary about the practice of abortion in France in the early seventies, at a time when it was still illegal.
Explore NowThey raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.
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