Life isn't a Godard Film

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In Paris

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Love Songs

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Sagan

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France, 1950s. From the Quartier Latin to Saint-Tropez via New York, a young Parisienne becomes the icon of a whole generation. In 1954, 19-year-old Francoise Sagan shot to fame with her first novel, Bonjour Tristesse. Flamboyant, scandalous and underrated, Sagan lived her life at the furthest edge of excess. She won and lost fortunes at the roulette table, bought and crashed superb sports cars, drank, danced and partied, leaving a trail of lovers in her wake.

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Boarding Gate

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A beautiful woman, Sandra, seduces a wealthy businessman, Miles Rennburg. Little does he realise that she has been sent to kill him at the behest of her boyfriend/crime partner, Lester. Controlling all this is Sue, Lester's wife.

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June 1940, the Great Chaos

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From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

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Here and Elsewhere

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Here and Elsewhere

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Bob le Flambeur

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Bob le Flambeur

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In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.

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Avenue Montaigne

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Avenue Montaigne

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A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

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The Pornographer

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The Pornographer

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A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.

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