
Hexing a Hurricane is a 2006 documentary film about the effect of Hurricane Katrina on New Orleans. It has been billed as the "First Katrina documentary" released by a New Orleanian. The film was directed by Jeremy Campbell and distributed by the National Film Network. The film's score was orchestrated by New Orleans artist Eric Laws.
This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.
Explore NowThe film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.
Explore NowOne of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows. Filmed at the Saenger Theatre in New Orleans.
Explore NowGerman cultural documentary about the development of Jazz in New Orleans. Contains interviews with several musicians.
Explore NowBad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
Explore NowA girl flees a makeshift tent city. A man finds a trombone. A worker watches the ocean from under a moving house, while its owner gazes at the view from her shifting living room. In ten very short stories, residents of the destroyed Mississippi Gulf Coast act out atmospheric scenes of everyday life and the relentlessness of labor in their extreme landscape.
Explore NowA touching documentary about a city that has lost hope, and about one man's fight to bring it back.
Explore NowFollows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.
Explore NowFrom the creators of critically acclaimed Inside 9/11 comes another powerful journalistic account, Inside Hurricane Katrina. Go beyond the round-the-clock news coverage for a comprehensive look behind the devastation caused by nature's fury and human error. How did this happen? Can it happen again? Why weren't emergency personnel fully ready to respond to a real disaster? Using comprehensive analysis of events, hours of government audio tapes, and personal interviews, National Geographic takes viewers into the eye of Katrina to uncover the decisions and circumstances that determined the fate of the Gulf residents.
Explore NowAbout Daniel Lanois, the Canadian musician and producer, during one of his most productive years in life, living and recording in New Orleans, LA. Daniel Lanois was born in Hull, Quebec. Sept. 19, 1951. His family moved to Hamilton, Ont. in 1963. In 1974 he and his brother Bob built and operated the Grant Avenue Studio, where he produced records by acts such as Martha and the Muffins, Parachute Club, Raffi, and Ian Tyson. In 1989 he released his first solo album, "Acadie". He also produced "Oh Mercy" by Bob Dylan and "Yellow Moon" by The Neville Bros. during the same year.
Explore NowThe feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.
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