

Murder is relative.
A world famous Iranian detective Shahriar and his ward Vahid are called upon the murder of a shipping magnate. His list of suspects, short but close to him, his three daughters and wife stand by as they tell their version of the events leading up to the patriarchs death.
Two generations of Russian immigrants go to the country for a birthday, but when someone witnesses a mysterious violent crime, a shadow is cast over the weekend.
Explore NowWallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.
Explore NowAfter calling it quits with her former pimp, a young prostitute thinks of a way to earn some quick money to leave town.
Explore NowPart of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.
Explore NowA disturbed young man pushes away his exurban family to seek wildness in the woods. The boy's urge for the primitive manifests in his bedroom at home and in a wild dog he follows through the countryside.
Explore NowOne-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.
Explore NowFrancis is a short story written by american novelist Dave Eggers. This is the story of a young boy growing up in the suburbs of chicago. He spent his vacations in Quetico Provincial Park, up on the border of Minnesota and Canada. But he won't be going back any day soon, not after what happened to a girl called Francis Brandywine.
Explore NowOverwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
Explore NowWalking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".
Explore NowIt's described as a redefining of the heist genre with a story centered on bank-robbing twins – one with supernatural powers and one without.
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