
Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
Explore NowThe second of six episodes in the "Flying Fists" boxing series sometimes listed as "Hit Hard" starring pugilist Benny Leonard.
Explore NowA showcase of trapeze artist Alciede Capitaine, billed as “The Perfect Woman,” whose daring feats on the flying bar combined grace with breathtaking athleticism. Produced by Edison in 1898, this title should not be confused with Dickson’s earlier 1894 short Mlle. Capitaine, which also featured the performer.
Explore NowMarilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
Explore NowThe good people of the Solax community realize that they have cause to make merry before the New Year because the Almighty has guided their breadwinning footsteps toward the Solax Studio's happy atmosphere, bank together like the big happy family they are, to give expression to their happiness in the form of a gift to the immediate cause of their good fortune and sunshine.
Explore NowDuring the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.
Explore NowOne of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.
Explore NowLeGrande, an old trapper, refuses to vacate his favorite hunting grounds when ordered to do so by Sampson and other settlers, and his life is only saved through the intervention of his daughter, Joan. The rascals soon learn to fear the girl's keen wit and daring, and Sampson, already pledged to marry Sanchezza, a Mexican girl, falls in love with Joan.
Explore NowVitagraph’s Battle of Santiago Bay (1898) blended real Spanish–American War footage with tabletop trickery. Albert E. Smith’s authentic San Juan material looked underwhelming, so he and partner J. Stuart Blackton staged the naval clash on a miniature set: cardboard ships afloat in shallow water, firecracker “explosions,” and clouds of smoke from cigars and cigarettes. Spliced together, the hybrid film was embraced as genuine by audiences and became one of the most popular war films of its day.
Explore NowA documentary of explorer Richard Halliburton's travels on the Indian sub-continent, featuring a mix of real and staged footage.
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