Attention danger travail

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

Roger & Me

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

Living on the Edge

Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.

Lightning Over Braddock: A Rustbowl Fantasy

Tony Buba, a film maker from Braddock, Pennsylvania, tells the story of his hometown's decline (along with the rest of the steel mill towns along the Monongahela River) while he dreams of making higher budget films. The picture documents, in a lighthearted way, the community anxiety and activism that accompanied the failure of the steel industry around Pittsburgh, Pennsylvania.

Nomad Solitude

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

Fellini, confidences retrouvées

Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.

The Show Must Go On

The Show Must Go On is a personal journey behind the scenes that confronts the epidemic of mental health issues in the Australian entertainment industry.

Homeland

Following four Lakota families over three years, Homeland explores what it takes for the Lakota community to build a better future in the face of tribal and government corruption, scarce housing, unemployment, and alcoholism. Intimate interviews with a spiritual leader, a grandmother, an artist, and a community activist from South Dakota’s Pine Ridge Indian Reservation reveal how each survives through family ties, cultural tradition, humor, and a palpable yearning for self-reliance and personal freedom.

Right to Work March

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

Over the Years

Taking the demise of a textile factory in Austria’s Waldviertel region as its starting point, with the antiquated manufacturing plant initially shown in full operation, this film poses the question of what work means for people’s self-image and character. After the factory goes bankrupt and closes, the filmmaker accompanies some of its employees as they continue to make their way, questioning them about their daily routines, the circumstances in which they live, about looking for work or the new jobs they find. One woman’s situation is precarious, but that doesn’t prevent her from bringing up her grandchildren. Another woman works here and there, flexible and resourceful. One man blossoms visibly in his newly unemployed state. Bit by bit, different aspects of their private lives and personal misfortunes emerge.

Chronicle of a Summer

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.