We Live in Public

Born into Brothels: Calcutta's Red Light Kids

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

The Story of the Weeping Camel

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Nepal Forever

This film features two Russian communist politicians. Being committed Leninists; both of them have served several terms as city council members. Their horizons are broad, but what concerns them the most is the future of global communism. At one point, by decree of fate, their booming activities begin to expand far beyond the boundaries of their native St. Petersburg and the Russian Federation. However, the future of global communism remains unclear. What remains clear is the fact that in the modern world the tail still wags the dog. A documentary comedy.

Communion

When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.

The Witch Hunt Is On

Rap's Most Wanted

Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Haru, Island of the Solitary

In early 1970s, the graphic designer Tuulikki Pietilä had seen enough of stative visual art and purchased a film camera from Japan. She filmed the games and chores of the artist couple in their beloved hideout, the island of Klovharun.

Kaleidoscope

A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.

Afternoon of a Faun: Tanaquil Le Clercq

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.