Carol I

8.2

|2009|90 min

The last days of the first Romanian king, Carol I of Hohenzollern-Sigmaringen, and the tough decisions he had to make in the summer of 1914 in order to please both Romanian Parliament and his relatives from the German Empire.

200HistoryDocumentary

More Like This

Recommended for you

We Feed the World

7.3

2005

We Feed the World

7.3

2005

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Golgotha

7.8

1966

Golgotha

7.8

1966

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

Explore Now

Helping Mihaela

6.0

2011

Helping Mihaela

6.0

2011

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

Explore Now

The Death Train

8.0

2019

The Death Train

8.0

2019

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

Explore Now

The Autobiography of Nicolae Ceausescu

7.7

2010

The Autobiography of Nicolae Ceausescu

7.7

2010

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

Explore Now

Aferim!

7.3

2015

Aferim!

7.3

2015

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

Explore Now

Winter of a slacker

0.0

1974

Winter of a slacker

0.0

1974

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Explore Now

Carpatia

6.3

2004

Carpatia

6.3

2004

This mountain region that reaches across several countries in Eastern Europe is the home to gold diggers, wizards, cow herders and old Hassids.

Explore Now

Open files

0.0

1975

Open files

0.0

1975

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Explore Now

The Certainty of Probabilities

6.0

2021

The Certainty of Probabilities

6.0

2021

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

Explore Now

Nadia Comăneci: The Gymnast and the Dictator

8.8

2016

Nadia Comăneci: The Gymnast and the Dictator

8.8

2016

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

Explore Now

Dictator: One Crazy Job

6.5

2013

Dictator: One Crazy Job

6.5

2013

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

Explore Now