Mountain Town

Congo

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Kwaheri

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Dukas Dilemma

Machete Gillette... Mama

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

La máscara de la conquista

The film tells two parallel stories. One, set in the present, tells of a pagent about the conquest of America, while the other, set in the 15th century, tells of a group of conquistadors coming ashore searching for gold. The film takes place in an unnamed country.

3 Days 2 Nights

Imagine the defining moment of your life. Then imagine never talking about it with anyone. This sets the stage for the documentary film 3 Days 2 Nights. In 1974, Mark and Andy Godfrey went on a family ski vacation to Aspen, Colorado. Tragically, the plane they were traveling on crashed. The world, as they knew it, was changed forever. Mark and Andy, who were 11 and 8, survived 3 days and 2 nights in the frigid mountains of Colorado. For nearly 40 years they rarely discussed the crash even between themselves. This is a film about two brothers coming to grips with the defining moment of their lives. Their story is one of cathartic discovery in hopes of reconciling such a tragedy. It's about how the twin beacons of love and family can help overcome even the greatest of losses.

Melodies of the mountains

Film about the singing and dancing culture of the Ingush people

Carving Thy Faith

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

Asante Market Women

As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.

Japonaise faisant sa toilette

A young woman in traditional Japanese attire fixes her hair and kimono while her servants assist her.

A Balinese Trance Seance

Bringing offerings of rice, flowers, and woven coconut leaves, clients visit Jero in her household shrine to determine the cause of their son's death. Jero lights an incense brazier, sprinkles holy water, and recites mantras as preliminaries to trance. Several ancestors and finally the young son speak through her voice, revealing the nature of his premature death (witchcraft) and his wishes for cremation. In contrast to other films about Balinese trance which focus on spectacular, community performances, this film provides an intimate view of a fascinating process of communication between Jero, the spirits, and her clients who are at one point moved to tears. (der.org)