Blindness is not a tragedy, it's merely an impracticality.
Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
At a time when our eyes are tiring ever faster, we zoom in on new techniques to combat visual diseases and deficiencies.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Explore NowWhen Gordon Gund went blind in 1970 at age 30 due to retinitis pigmentosa, he resolved to find a cure for the disease and created the Foundation Fighting Blindness. After decades of scientific research, a major breakthrough emerged, and this short film showcases the inspirational story of a 17-year-old Belgian boy who is a beneficiary of this work.
Explore NowA documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.
Explore NowDocumentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
Explore NowA documentary that reveals California's complex struggle over who gets fresh water, and how moneyed interests game the system. Constant battling over uncertain water supplies heralds an impending crisis—not just in California, but around the world.
Explore NowWith the help of Steve Bannon and Cambridge Analytica, Trump was groomed to appeal to those who have lost faith in media and politics. Bannon has admitted that he modeled his campaign on the one crafted for Hitler, who was a puppet of dark forces. Through meticulous investigation, John Hankey explores this, and how the media circus following Trump is a strategy for dividing a "United" States.
Explore NowJan calls himself Buffalo. He loves cowboys, he’s blind, and may lose his hearing. The documentary follows his journey to America to visit the chief of the Navajo tribe, who wants to perform a ritual to help his hearing. The film is full of unpretentious humor thanks to Jan’s charisma. In the USA, he’s like the Don Quixote of the Wild West - a naive adventurer in a world that is much more ordinary than his imagination. This observational, but not standoffish, film is also an example of how the medium of film can relate to blind people by constantly showing the difference between what Jan perceives and what we actually see.
Explore NowDocumentary about Japanese film director Shohei Imamura.
Explore NowThe Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.
Explore NowBrought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this
Explore NowAs Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
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