

A documentary-fiction hybrid film based on the works of Joseph Brodsky.
In this Halloween Special, Babs Bunny plays the part of host as she and the Tiny Toons gang spoof various popular horror movies and TV shows. Among the works parodied are "Night Gallery", "The Twilight Zone", "The Devil and Daniel Webster", "Frankenstein" and the "Abbott and Costello Meet..." films.
Explore NowMade for the centenary of France’s trade union laws, Chris Marker’s 2084 imagines a future in which a computer looks back on the labor movement of the 20th century. Mixing documentary reflection with speculative fiction, the film envisions contrasting paths for the future of workers and unions.
Explore NowIn this experimental collage film, Arthur Lipsett reworks over fifty years of newsreel footage into a surreal audiovisual montage of twentieth-century life. Juxtaposing images of scientific progress, political figures, spectacle, warfare, and everyday leisure, the film becomes a fragmented “time capsule” exploring the rituals and contradictions of modern technological culture.
Explore NowFor Kaleidoscope, which was sponsored by Churchman Cigarettes, Lye animated stenciled cigarette shapes and is said to have experimented by cutting out some of the shapes so that the light of the projector hit the screen directly. As in Colour Box Lye uses music by Don Baretto and his Cuban Orchestra. - Harvard Film Archive
Explore NowIntended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive
Explore NowLye completed his last great film a few months before his death at the age of 78. The film returned to the black-and-white techniques of Free Radicals. Lye created what he called “vibrant little images” or “zig-zags” with a sense of “zizz”. The clusters of small scratches gave the film a unique texture – the images looked rough but were in fact extremely subtle. The title Particles in Space referred to flashes of energy of the kind sometimes seen by astronauts in space. The soundtrack combined “Jumping Dance Drums” from the Bahamas with drum music by the Yoruba of Nigeria and the sounds of Lye’s metal kinetic sculptures. The opening titles demonstrated Lye’s mastery of the scratching of letters and words on film, a method imitated by other film-makers such as Stan Brakhage.
Explore NowLye created a series of scratched images in the 1950s – more regular or geometric than his usual style – to accompany Rock ‘n’ Rye, a track by jazz guitarist Tal Farlow, but he did not get far with the editing. He returned to the material in 1980 but died before it was completed. His assistant Steven Jones finished the film under the supervision of Lye’s widow Ann, who had been closely involved with all of Lye’s American films. - Harvard Film Archive
Explore NowEducational film about solar energy, told with striking imagery and animation.
Explore NowFollows the Cuban leader into the home of a 93 year old acquaintance of Jose Marti, who is now blind and who takes the duration of the film to realize who his illustrious interviewer actually is.
Explore NowA young man in prison is interviewed and talks about his life, how he got into prison, and what it's like doing time.
Explore NowLate at night, when all household members had gone to bed, a kitten woke up and felt that it overcohasmes insomnia. How to have fun? The playful kid went to investigate. It turned out that coiled balls of yarn did not sleep too, and there was a sky-blue thread, cheerful and kind, which, like the kitten, wanted to play. Will they make friends with the kitten?
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