Folk portraiture, images of children in suburbia.
A meek office worker finds himself flung into a fantasy world as a naked muscleman. An early version of the Den character, known from the comic magazine Heavy Metal and the movie by the same name.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Explore NowShot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.
Explore NowAn experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Explore NowThe theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
Explore NowJonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts. Earlier images reappear in later sections as background to new performances, with the accelerated pacing of the clips mirroring the rhythm and energy of the soundtrack.
Explore NowTaking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.
Explore NowMilestone No. 3 is a documentary following three lifelong friends as they travel across the country to California for the very first time. Armed with doubts and anxiety about continuing his filmmaking career, director Nicholas Dapolito enlists the help of friends and family to examine why he creates, and if this path is truly right for him.
Explore NowA short film about the meeting of a Trappist monk and a Zen Buddhist master.
Explore NowThe personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Explore NowAccording to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.
Explore Now"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a variety of different statements about the concept of window." - S.B.
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