Metamorfosi

Cerro Torre: A Snowball's Chance in Hell

Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.

A Trip Elsewhere

During the Covid-19 pandemic, four anxious strangers take a record-breaking dose of LSD, catapulting them into a shared psychedelic dream where they must find solace and redemption before they can return to the real world.

The Call Of The Peaks

L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.

Dream of the Wild Horses

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Opera Vertical

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Brave New Wild

BRAVE NEW WILD is an offbeat chronicle of America’s Golden Age of rock climbing before and after the controversial ascent of the Dawn Wall in 1970. Some forty years later, Oakley Anderson-Moore, the daughter of a pioneering climber, stumbles upon her father's old hi8 tapes, and sets out to answer the question: why climb when there's nothing to gain -- and everything to lose? Wry humor and an eclectic original soundtrack punctuate the delinquent antics of the Vulgarians in the ‘Gunks, the larger-than-life rivalry of Yosemite’s rock gods, and the fruit tramping, freight train hopping hobodom of her dad’s climbing life. This film is quintessential viewing for those who long for adventure.

Eric Escoffier, la Fureur de Vivre

To The Limit

This documentary follows world-class athletes as they perform spectacular, eye-opening feats. Experience a rock climber scale a near impossible cliff, an Olympic skier take to the mountains, and a prima ballerina make a dance that uses every single muscle look effortless.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Over-Ice

Godard Cinema

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.