
Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.
A female private detective goes undercover as a porno actress to find a millionaire's missing daughter.
Explore NowBen Healy and his social climbing wife Flo adopt fun-loving seven year old Junior. But they soon discover he's a little monster as he turns a camping trip, a birthday party and even a baseball game into comic nightmares.
Explore NowAn orphaned teenager forms an unlikely friendship with a detective. Together they investigate her mother's murder, and uncover the supernatural force that proves to be a threat to her family.
Explore NowFor decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks.
Explore NowAfter being hypnotized by his sister-in-law, Tom Witzky begins seeing haunting visions of a girl's ghost and a mystery begins to unfold around her.
Explore NowStarring George Jac, Kayla Schaffroth and directed by Tony Olmos. When an over-eager recruit is matched up with an absent-minded detective, the well-meaning pair end up doing more harm than good.
Explore NowSixteen-year-old Micki never met her parents. Raised by her ex-gangster grandfather Pops and crazy Uncle Sal, she develops a scheme to set her family up for life. A simple robbery, a violent loan shark, and a ticking clock. What could go wrong?
Explore NowIn a peripheral zone of Mexico City, the collection of money from merchants and residents of the area is an everyday occurrence. On a sunny Sunday, in a housing unit located in one of these areas, a merchant has not paid his fee and the hired killers have come to give him an ultimatum.
Explore NowLed by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Explore NowNagisa, the heroine, has the ability to “synch” with all the powerful emotions that linger in crime scenes. When this happens though, she blacks out. Even in her day-to-day life, she can hear people's evil intentions and true colors and senses their lies and deception. That is why she always wears headphones in order to shut out people's emotions. She works well with her colleagues at the "Red Spider Lily" (Higanbana) unit, who are all brutally honest acid-tongued women with no qualms about speaking their minds. "Red Spider Lily" is an eclectic unit that includes a science geek, a single mom, and a woman who grew up abroad. Seen by many as a department that's been taken off the main career track, "Red Spider Lily" turns out to be full of fabulous detectives!
Explore NowBrothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.
Explore NowA lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
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