Fighting the Fire Bomb

8.0

|1941|7 min

Documentary short explaining proper techniques for handling and disposal of incendiary bombs. Preserved by the Academy Film Archive, from the Academy War Film Collection, in 2009.

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Sikkim

6.7

1971

Sikkim

6.7

1971

Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

Screen Actors

6.3

1950

Screen Actors

6.3

1950

This short film takes a look at the off-screen personas of screen actors. Preserved by the Academy Film Archive in 2012.

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Hoop Dreams

7.6

1994

Hoop Dreams

7.6

1994

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

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I Be Done Been Was Is

0.0

1983

I Be Done Been Was Is

0.0

1983

A documentary about four African-American comediennes set in 1984. Restored in 2021 by the Academy Film Archive. 

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Not a Pretty Picture

7.8

1976

Not a Pretty Picture

7.8

1976

Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.

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Showman

6.7

1963

Showman

6.7

1963

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.

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God Respects Us When We Work, But Loves Us When We Dance

5.6

1968

God Respects Us When We Work, But Loves Us When We Dance

5.6

1968

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.

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The Town

6.0

1944

The Town

6.0

1944

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

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The Sun's Gonna Shine

6.9

1969

The Sun's Gonna Shine

6.9

1969

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

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Appointment in Tokyo

6.4

1945

Appointment in Tokyo

6.4

1945

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

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The Art Director

7.0

1949

The Art Director

7.0

1949

A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.

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The Maltese Cross Movement

7.1

1967

The Maltese Cross Movement

7.1

1967

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

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