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The Meaning of Vanlife

The Meaning of Vanlife is an adventurous, revealing look into the Vanlife community through the eyes of nomads who have chosen to live a life of freedom on the road. A movement that exemplifies a deeper societal trend towards minimalism and authentic community building.

Skin of Glass

A poetic and personal cinematic meditation on displacement and loss, SKIN OF GLASS follows filmmaker Denise Zmekhol’s journey after discovering that her late father's most celebrated work as an architect, a modernist glass skyscraper in the heart of São Paulo, Brazil, has become occupied by hundreds of homeless families.

This Beggar's Description

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

49 Up

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Dark Days

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Under Cover

Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.

Les Enfants de la Bonne Mère : Rue d'Aubagne

Streetwise

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Australia

How do seven young people, former street children from Romania, get to see the Pacific Ocean? On 1 December 2008, a Romanian national team participates for the first time in the Homeless World Cup in Melbourne, Australia. The film follows the team from the formation of the squad to the end of the championship. The young people are from Timisoara and Arad, runaway children who now live in abandoned houses or who have managed to get a job and live in rented accommodation after going through orphanages or prisons. After taking a beating from many teams, the young Romanians manage to beat the USA. They are happy. They are all thinking of never going "home" again. It's warm and nice here, the people are nice. "In case I stay, I kissed you all!" says one of them cautiously. But after taking pictures of themselves on the beach with the ocean behind them and beautiful girls by their side, the seven return to Romania and get on with their lives.

We Were There to Be There

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Carts of Darkness

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.